Peter’s Blog

I need to place on record my feeling that overwhelmingly throughout my life, my contact with my fellow men, women and children has been a total delight.
It is a recurring pleasure which I experience each day and is among the precious things which makes my life rewarding and worth living, not least because moments of the keenest enjoyment can as readily occur with a complete stranger as with family and friends.

 


 

The Film Diary includes photos as well as video frames because it contains the blog’s biodiversity content. It is also the blog’s second biggest category, after Other. The video content dates from 2008 to 2021, when I ceased videoing. The photographs date from 2014 to the present.

 

The Brisbane Line was the e-bulletin of the now defunct Brisbane Institute, to which I contributed the articles featured, between 2006 and 2012.

 

Not The Brisbane Line contains my other essays from 2005 to the present.

 


 

A cherished dream, my book   One small place on earth …  discovering biodiversity where you are,   self-published in August 2019, has been long in the making. Jan Watson created its design template nine years ago. The idea of doing a book seems to have occurred during my stay with Clive Tempest, the website’s first architect, when I was visiting the UK in 2006. By the time Steve Guttormsen and I began sustained work on the book in 2017, much of which I had already written, the imperative was to create a hard copy version of a project whose content is otherwise entirely digital.

 


 

People may wonder why there is little mention of climate change – global warming on my website. There are two related reasons. Firstly, if former Australian Prime Minister Kevin Rudd’s 2007 remark that climate change is the “great moral, environmental and economic challenge of our age” is true, we have not acted accordingly before or since. Rudd’s statement is only true if we collectively live as if it is true, Rudd included. Instead, our politics has wasted decades favouring business as usual, and a global economy excessively dependent on fossil fuels – in the wilful absence of a politics intent on achieving a low carbon economy. Secondly, although it is open to individuals to strive to live the truth of Rudd’s remarks, the vast majority of people, myself included, do not. I salute those who do. The precautionary principle alone makes me regard climate change as a current planetary crisis, but because I have only marginally changed the way I live, and still wish to fly, I am not inclined to pontificate on the subject.

 


 

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Other / 16.06.2009

Today I emailed Steve the material from Tape 27 to be added to the new clips we want to put on YouTube and Vimeo. The email included titles.

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Film Diary / 12.06.2009

I set up my camera to film the usual birdbath in the Wild Garden this afternoon. Activity was intermittent, but during the last flurry, a Rose Robin appeared frame left and after splashing about for maybe 20 seconds or so, (I haven’t seen the footage yet) flew off frame right. This was another new species for the archive.

 

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Other / 11.06.2009

This evening Steve and I worked on the Darryl Jones interview at his place. Steve had completed most of the editing and needs me to film a brief cut-away sequence to help finish the edit.

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Other / 03.06.2009

At last Steve and I were able to take up Clive’s suggestion of creating a Peter Kuttner YouTube Channel. We had recently posted the first new video in 18 months, opened up our Vimeo account and several new posts are underway.

 

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The Brisbane Line / 01.06.2009

I wonder how many people have asked themselves the question: is life sacred? and why. The basic premise of the sanctity of life is that life is God given. The question why is as revealing as the original question. In other words, why does someone having grown up with the notion that life is sacred, change the position of the word ‘is’. The notion aspires to be universal, yet one’s questioning of it is inevitably personal. For me the notion harks back to my childhood recollection of religious instruction and observance and, once encountered, was something I wanted to believe in. It is a question predicated on a potentially inexhaustible sequence of compelling questions.

In those far off, pre dictionary-consulting days, I associated the word sacred insofar as it was known to me, with the ineffable aura of religious virtue and divine dispensation which I sensed in the services I occasionally attended. The word represented a reality both private and secret.  In western culture the proposition that life is sacred is intimately linked to the 6th commandment: you shall not murder.  I was probably quite young when I first heard it and young when I first understood the… Read Complete Text

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Other / 14.05.2009

A couple of days ago I received a phone call from a man who was unsure who I was and who was unknown to me – until, after some stalling on my part and hesitant persistency on his, he introduced himself as Herbert Distel, a well-known Swiss artist whom I had met in Hamburg in November 1968 when I was co-curating an exhibition of avant-garde European art and he was one of the artists. He was phoning from his home near Vienna to inform me that his Museum of Drawers (to which I contributed a piece of multi-coloured bread), was in the process of going online and that next year would be its 40th anniversary. The museum contains 500 artworks by 500 artists housed in a cabinet with 20 drawers

divided into small compartments and can be found at www.schubladenmuseum.com.  The site is still under construction, but should be more advanced and may even be complete by the time you see it. This was a welcome call from the past and a contact that I hoped we would maintain, as I told him in my email.