Peter’s Blog

I need to place on record my feeling that overwhelmingly throughout my life, my contact with my fellow men, women and children has been a total delight.
It is a recurring pleasure which I experience each day and is among the precious things which makes my life rewarding and worth living, not least because moments of the keenest enjoyment can as readily occur with a complete stranger as with family and friends.

 


 

The Film Diary entries are selected items from the diary I keep whenever I film. To check location references, click on ‘Tamborine Mountain’ on the top information bar then hit the ‘Tamborine Mountain’ button on the map.

The Brisbane Line was the e-bulletin of the now defunct Brisbane Institute, to which I contributed the articles featured, between 2006 and 2012.

Not The Brisbane Line contains my other essays from 2005 to the present.

 



A cherished dream, my book   One small place on earth …  discovering biodiversity where you are,   self-published in August 2019, has been long in the making. Jan Watson created its design template nine years ago. The idea of doing a book seems to have occurred during my stay with Clive Tempest, the website’s first architect, when I was visiting the UK in 2006. By the time Steve Guttormsen and I began sustained work on the book in 2017, much of which I had already written, the imperative was to create a hard copy version of a project whose content is otherwise entirely digital.

 

People may wonder why there is little mention of climate change – global warming on my website. There are two related reasons. Firstly, if former Australian Prime Minister Kevin Rudd’s 2007 remark that climate change is the “great moral, environmental and economic challenge of our age” is true, we have not acted accordingly before or since. Rudd’s statement is only true if we collectively live as if it is true, Rudd included. Instead, our politics has wasted decades favouring business as usual, and a global economy excessively dependent on fossil fuels – in the wilful absence of a politics intent on achieving a low carbon economy. Secondly, although it is open to individuals to strive to live the truth of Rudd’s remarks, the vast majority of people, myself included, do not. I salute those who do. The precautionary principle alone makes me regard climate change as a current planetary crisis, but because I have only marginally changed the way I live, and still wish to fly, I am not inclined to pontificate on the subject.

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Film Diary / 08.12.2014

I spoke to Chris Burwell this morning. He has just returned to work after a holiday. He wanted another shot of the dragonfly to pin point the attribution and having looked at it he phoned to confirm that the dragonfly is an Australian Emerald. (See FILM DIARY 1 November 2014).

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Other / 21.11.2014

It was all the more gratifying to receive an email from Don-herbison Evans fully identifying a caterpillar with a most striking appearance I filmed recently at night. It was perhaps 6 cm long, with brown tufts on its light grey back and very long hairs. It had blue dots on its sides. I film many caterpillars, mostly at night. They are intriguing creatures, but notoriously more difficult to identify from a video frame than the adult moth or butterfly. If Peter Hendry offers an identification of a caterpillar it is usually only to a moth family. Don is an expert on lepidoptera and tends to request that I send him the caterpillar rather than a video frame of it. When experts request live specimens I have to point out that I carry camera and tripod and not collecting paraphernalia.

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Film Diary / 14.11.2014

Thirteen days after I filmed the dragonfly, I saw it in the very same spot on my morning walk. Wondrous. Or so I prefer to think because it could have been another individual of the same species. This strikes me as less likely than it being the original one because I have not noticed a dragonfly of any kind at this location between these two sightings. I have filmed dragonflies repeatedly reoccupying a particular position after an interval and lingering there up to minutes at a time, but never  this – a return visit a day short of a fortnight later to the very twig on which it had rested for between a mind-boggling 45 minutes and an hour.

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Film Diary / 12.11.2014

If I hadn’t stopped to ask a friend how much rain had fallen during the night I would never have caught sight of a paper wasp nest attached to a cereus cactus some 4 m high just outside the back gate. The nest is very different to the one I filmed hanging from a metal railing. The wasp is much smaller, only 10mm long. It belongs to a different genus. At most there were no more than 6 wasps attending the nest. Its position was ideal for the camera.

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Film Diary / 09.11.2014

I was delighted to find a lone new lacewing on the garage in Central Avenue. It is more brightly coloured than the mantispid lacewing which has been present on several occasions during the past month or two. Checking images of Queensland lacewings on google, I discovered that this is the  ‘Diamond-banded Lacewing’  which occurs in Queensland and NSW.

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Other / 07.11.2014

While in London, I decided to visit the Olympic Park in Stratford because it was within such easy reach and pop into an old haunt of mine nearby, the Theatre Royal, where the legendary Joan Littlewood was artistic director from 1953 to 1979. Joan and I became friends because of my work with a group of young artists who devoted immense creative energy to ephemeral art in the form of multi-media events, performance art and street theatre. At the Theatre Royal I happened to meet Jan Sharkey-Dodds who is Head of Young People’s Work and mentioned my connection to Joan and her partner Gerry Raffles. I also told her that I had footage of Joan at one of our outdoor events staged in June 1968 and offered to send a copy to the theatre. In due course I was contacted by the archivist, the actor Murray Melvin and today he emailed me that the DVD had arrived. If I understood Jan rightly, Joan’s papers are kept at the theatre for ease of access, although I doubt a theatre can provide the conditions to properly preserve papers and artefacts of such importance.