I need to place on record my feeling that overwhelmingly throughout my life, my contact with my fellow men, women and children has been a total delight.
It is a recurring pleasure which I experience each day and is among the precious things which makes my life rewarding and worth living, not least because moments of the keenest enjoyment can as readily occur with a complete stranger as with family and friends.
The Film Diary includes photos as well as video frames because it contains the blog’s biodiversity content. It is also the blog’s second biggest category, after Other. The video content dates from 2008 to 2021, when I ceased videoing. The photographs date from 2014 to the present.
The Brisbane Line was the e-bulletin of the now defunct Brisbane Institute, to which I contributed the articles featured, between 2006 and 2012.
Not The Brisbane Line contains my other essays from 2005 to the present.
A cherished dream, my book One small place on earth … discovering biodiversity where you are, self-published in August 2019, has been long in the making. Jan Watson created its design template nine years ago. The idea of doing a book seems to have occurred during my stay with Clive Tempest, the website’s first architect, when I was visiting the UK in 2006. By the time Steve Guttormsen and I began sustained work on the book in 2017, much of which I had already written, the imperative was to create a hard copy version of a project whose content is otherwise entirely digital.
People may wonder why there is little mention of climate change – global warming on my website. There are two related reasons. Firstly, if former Australian Prime Minister Kevin Rudd’s 2007 remark that climate change is the “great moral, environmental and economic challenge of our age” is true, we have not acted accordingly before or since. Rudd’s statement is only true if we collectively live as if it is true, Rudd included. Instead, our politics has wasted decades favouring business as usual, and a global economy excessively dependent on fossil fuels – in the wilful absence of a politics intent on achieving a low carbon economy. Secondly, although it is open to individuals to strive to live the truth of Rudd’s remarks, the vast majority of people, myself included, do not. I salute those who do. The precautionary principle alone makes me regard climate change as a current planetary crisis, but because I have only marginally changed the way I live, and still wish to fly, I am not inclined to pontificate on the subject.
The real millipede madness, when zillions of millipedes invade homes in southern Australia, sounds like too much of a good thing. Fortunately the millipedes of Tamborine Mountain appear to confine their swarming to trees, in this instance to some trees in Central Avenue, in particular a Jacaranda, whose rough bark provided some ideal resting places. A pretty amazing subject nonetheless.
Better late than never. I had been getting frustrated by the seeming indifference of some experts conducting a survey of the vulnerable Glossy Black Cockatoo, to footage I filmed of a family in December 2008 and about which they had long known. A few months ago the lead researcher got in touch and Steve and I gave him a time-coded DVD of the footage and today he emailed me with his shot selection.
Tonight was the first shoot of the new season for Mark, Dan and me. The first thing we came across in the Knoll National Park were Red Triangle slugs on a couple of Flooded Gum Trees in the picnic area. These striking molluscs, characterised by a red triangular line around the breathing hole on their mantle, are a new species for the archive. Jaap left the mountain earlier this month, prior to acquiring a converted bus in which to begin touring Australia early next year with his new partner Louise. He generously gave me his spotlight. We caught up with our Harvestmen, more precisely a Harvestwoman. I also filmed a Stick Insect nymph, one of a number we saw.
Having emailed Steve the revised script for Supplement 4 which is more than twice as long as the scripts for Supplements 1 and 2 combined, I recorded the first half of the script this evening in the sound suite at Bond University Film School.
Now that I am immersed in scripting the DVDs, I have been busy contacting various curators at the Queensland Museum and their colleagues elsewhere, in order to identify the species we have been filming at night for the past 3 ½ years. Today an email arrived from Christopher Taylor in West Australia who had identified an amazing harvestman we first saw at the end of last year and which had only been described a year earlier. Chris pointed out that he was only familiar with lab specimens and that nothing was known about the species' natural history. So any observations we can provide could potentially be interesting.
